Emmanuel was born in Australia in 1955. He received his first guitar in 1959 at age four, being taught by his mother to accompany her playing lap steel guitar. At the age of 7 he heard Chet Atkins on the radio. He vividly remembers this moment and says it greatly inspired him.[3]
By the age of 6, in 1961, he was a working professional musician. Recognizing the musical talents of Tommy and his brother Phil, their father created a familyband, sold the family home and took his family on the road. With the family living in two station wagons, much of Emmanuel’s childhood was spent touringAustralia with his family, playing rhythm guitar, and rarely going to school. The family found it difficult living on the road; they were poor but never hungry, never settling in one place. His father would often drive ahead, organize interviews, advertising and finding the local music shop where they'd have an impromptu concert the next day. Eventually the New South Wales Department of Education insisted that the Emmanuel children needed to go to school regularly.[3][4]
After his father died in 1966, the family settled in Parkes. Tommy eventually moved to Sydney where he came to be noticed nationally when he won a string of talent contests in his teen years.[3][5]By the late 1970s, he was playing drums with his brother Phil in the group Goldrush as well doing session work on numerous albums and jingles. He gained further prominence in the late 1970s as the lead guitarist in The Southern Star Band, the backing group for vocalist Doug Parkinson. During the early 1980s, he joined the reformed lineup of leading 1970s rock group Dragon, touring widely with them, including a 1987 tour with Tina Turner. He left the group to embark on a solo career.
In 1994 Australian music veteran John Farnham invited him to play guitar next to Stuart Fraser from Noiseworks for theConcert For Rwanda. Emmanuel became a member of Farnham's band.
Emmanuel and his brother Phil performed live in Sydney at the closing ceremony of the Summer Olympics in 2000. The event was televised worldwide with an estimated 2.85 billion viewers.[5] When performing together the pair will sometimes share and play just one guitar with each having one hand free.
In December 2007 he was diagnosed with heart issues[6] and was forced to take a break from his hectic touring schedule due to exhaustion, but returned to full-time touring in early 2008.
In late January 2010, after the 2010 Haiti earthquake earlier in the same month, Emmanuel announced[7] that he would be auctioning off three guitars, that he personally played and owned, on eBay, in order to raise money to donate to UNICEFin Haiti.
In the mid-1960s, Clapton departed from the Yardbirds to play blues withJohn Mayall & the Bluesbreakers. Immediately after leaving Mayall, Clapton joined Cream, a power trio with drummer Ginger Baker and bassist Jack Bruce in which Clapton played sustained blues improvisations and "arty, blues-based psychedelic pop."[4] For most of the 1970s, Clapton's output bore the influence of the mellow style of JJ Cale and the reggae of Bob Marley. His version of Marley's "I Shot the Sheriff" helped reggae reach a mass market.[5] Two of his most popular recordings were "Layla", recorded by Derek and the Dominos, another band he formed, and Robert Johnson's "Crossroads", recorded by Cream. Following the death of his son Conor in 1991, Clapton's grief was expressed in the song "Tears in Heaven", which featured in his Unplugged album.
A recipient of 17 Grammy Awards, and the Brit Award for Outstanding Contribution to Music, in 2004 Clapton was awarded a CBE at Buckingham Palace for services to music.[6][7][8] In 1998, Clapton, a recovering alcoholic and drug addict, founded the Crossroads Centre on Antigua, a medical facility for recovering substance abusers.[9]
With the intention of counteracting the "star" cult faction that had begun to form around him, Clapton assembled a new band composed of Delaney and Bonnie's former rhythm section, Bobby Whitlock as keyboardist and vocalist, Carl Radle as the bassist, and drummer Jim Gordon, with Clapton playing guitar. It was his intention to show that he need not fill a starring role, and functioned well as a member of an ensemble.[34] During this period, Clapton was increasingly influenced by The Band and their album Music from Big Pink, saying, "What I appreciated about The Band was that they were more concerned with songs and singing. They would have three- and four-part harmonies, and the guitar was put back into perspective as being accompaniment. That suited me well, because I had gotten so tired of the virtuosity—or pseudo-virtuosity—thing of long, boring guitar solos just because they were expected. The Band brought things back into perspective. The priority was the song."[35]
The band was originally called "Eric Clapton and Friends". The name "Derek and the Dominos" was a fluke that occurred when the band's provisional name of "Del and the Dynamos" was misread as Derek and the Dominos.[36] Clapton's biography states that Tony Ashton of Ashton, Gardner and Dyke told Clapton to call the band "Del and the Dominos", since "Del" was his nickname for Eric Clapton. Del and Eric were combined and the final name became "Derek and the Dominos".[37]
Clapton's close friendship with George Harrison brought him into contact with Harrison's wife, Pattie Boyd, with whom he became deeply infatuated. When she spurned his advances, Clapton's unrequited affections prompted most of the material for the Dominos' album, Layla and Other Assorted Love Songs (1970). Heavily blues-influenced, the album features the twin lead guitars of Duane Allman and Clapton, with Allman's slide guitar as a key ingredient of the sound. Working at Criteria Studios in Miami with Atlantic Records producer Tom Dowd, who had worked with Clapton on Cream'sDisraeli Gears, the band recorded a double album.
The album features the hit love song "Layla", inspired by the classical poet of Persian literature, Nizami Ganjavi's The Story of Layla and Majnun, a copy of which Ian Dallas had given to Clapton. The book moved Clapton profoundly, as it was the tale of a young man who fell hopelessly in love with a beautiful, unavailable woman and who went crazy because he could not marry her.[38][39] The two parts of "Layla" were recorded in separate sessions: the opening guitar section was recorded first, and for the second section, laid down several months later, drummer Jim Gordon composed and played the piano part.[37]
The Layla LP was actually recorded by a five-piece version of the group, thanks to the unforeseen inclusion of guitaristDuane Allman of The Allman Brothers Band. A few days into the Layla sessions, Dowd—who was also producing the Allmans—invited Clapton to an Allman Brothers outdoor concert in Miami. The two guitarists met first on stage, then played all night in the studio, and became friends. Duane first added his slide guitar to "Tell the Truth" and "Nobody Knows You When You're Down and Out". In four days, the five-piece Dominos recorded "Key to the Highway", "Have You Ever Loved a Woman" (a blues standard popularised by Freddie King and others), and "Why Does Love Got to be So Sad". In September, Duane briefly left the sessions for gigs with his own band, and the four-piece Dominos recorded "I Looked Away", "Bell Bottom Blues", and "Keep on Growing". Duane returned to record "I am Yours", "Anyday", and "It's Too Late". On 9 September, they recorded Hendrix's "Little Wing" and the title track. The following day, the final track, "It's Too Late", was recorded.[40]
Tragedy dogged the group throughout its brief career. During the sessions, Clapton was devastated by news of the death of Jimi Hendrix; eight days previously the band had cut a cover of "Little Wing" as a tribute to Hendrix. On17 September 1970, one day before Hendrix's death, Clapton had purchased aleft-handedFender Stratocaster that he had planned to give to Hendrix as a birthday gift. Adding to Clapton's woes, the Layla album received only lukewarm reviews upon release. The shaken group undertook a U.S. tour without Allman, who had returned to the Allman Brothers Band. Despite Clapton's later admission that the tour took place amidst a veritable blizzard of drugs and alcohol, it resulted in the live double album In Concert.[41] The band had recorded several tracks for a second album in London during the spring of 1971 (five of which were released on the Eric Clapton box-set Crossroads), but the results were mediocre.
A second record was in the works when a clashing of egos took place and Clapton walked, thus disbanding the group. Allman was killed in a motorcycle accident on 29 October 1971. Clapton wrote later in his autobiography that he and Allman were inseparable during the sessions in Florida; he talked about Allman as the "musical brother I'd never had but wished I did."[42] Although Radle would remain Clapton's bass player until the summer of 1979 (Radle died in May 1980 from the effects of alcohol and narcotics), it would be 2003 before Clapton and Whitlock appeared together again (Clapton guested on Whitlock's appearance on the Later with Jools Holland show). Another tragic footnote to the Dominos story was the fate of drummer Jim Gordon, who was an undiagnosed schizophrenic and years later murdered his mother during a psychotic episode. Gordon was confined to 16-years-to-life imprisonment, later being moved to a mental institution, where he remains today.[18]
